SANTA'S SLAY—Ho, Ho, Hum
by Robert A. Nowotny
Yes boys and girls it is that time of year again—the
first new Christmas movie of 2005 premiered on Spike TV at 8:00
p.m., Tuesday, October 25. I use the word
“movie” loosly as this cinematic effort is so
pathetically appalling it consists, at best, of a series of filmed
images slapped together with about as much inspiration as I get
when I see the latest image of Jesus Christ on a tortilla (another
seasonal event, especially down here in Tex-Mex Country).
SANTA'S SLAY is insipid. SANTA'S SLAY is inept. SANTA'S SLAY is
inbred. You read that correctly—I said
“inbred” since this is the only conceivable
explanation why those with the money and the power gave Mr. David
Steiman the green light to write and direct. I didn't know Jews
were into inbreeding, but this is surely proof positive. To spare
further embarrassment this man must be summarily circumscised from
the rolls of working writers and directors living in LA-LA Land
and/or Lapland.
But not all is a waste. At Christmas time one should always look
for a silver lining so let it be said that SANTA'S SLAY has one
redeeming scene which takes place right off the bat when Santa,
menacingly portrayed by ex-WWE wrestler Bill Goldbeg, comes down a
suburban chimney and slays Fran Drescher. I guess I've been a good
boy—one of my Christmas wishes has, indeed, come true.
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