HOLLYWOOD UNEMPLOYMENT LINE
by Robert A. Nowotny
Finding a good movie today is about as hard to find as a Sushi
Chef in Crested Butte, Colorado—but it can be done.
In the case of the Sushi Chef, he was a nineteen year old high
school graduate from a small town in Oklahoma who loved skiing and
who moved to Crested Butte in search of gainful employment. When I
asked his landlord what the heck does a nineteen year old high
school graduate from a small town in Oklahoma know about sushi he
replied, and I am not making this up: “He's reading the
book now.” And so it came to pass that Lil's Seafood on
Elk Avenue began a tradition of serving truly outstanding
sushi—some of the best in the Rocky Mountain West.
As for this year's feature films—especially those
brought to you by Tinseltown's corporate cretins—the
pickings are slim, indeed. One notable exception is MARCH OF THE
PENGUINS. French director Luc Jacquet and Cinematographers Laurent
Chalet and Jerome Maison have crafted what is undoubtedly the
coolest movie of the Summer, both literally and figuratively.
Narrated by Morgan Freeman and blessed with an excellent musical
score by Alex Wurman, this National Geographic Special is worth
the price of admission.
One other thing worth the price of admission comes to
mind—that being a front row seat watching a gaggle of
Hollywood studio executives waddle towards the unemployment
office. I'd love to film that—and I think I'd title it
MARCH OF THE PINHEADS.
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