HARD CANDY
by Robert A. Nowotny
HARD CANDY is a tasty, tantalizing treat that's so hard to
swallow you'll find yourself wailing two octaves higher than Andy
Devine during a bikini wax.
Let me try and explain…
To set the record straight, there's a lot to like about HARD
CANDY (the title refers to the internet slang word for an
under-aged girl). In fact, the underlying story was inspired by
actual events in Japan where schoolgirls have banded together to
ambush predatory men. It's an intriguing premise to say the least,
and the first two-thirds of this low budget film is damn near a
masterpiece. Reportedly shot in eighteen days for less than one
million dollars, HARD CANDY sets itself up to be a cinematic
classic.
Ellen Page (X-MEN: THE LAST STAND) plays fourteen year old
Hayley Stark, a bright young lass who surfs the web and agrees to
meet a much older internet pen pal at a local diner. Patrick
Wilson (William Travis in THE ALAMO, RUNNING WITH SCISSORS)
portrays thirty-two year old Jeff Kohlver, a successful, but
lonely photographer. As the film progresses we are given
conflicting information on whether or not Jeff is a pedophile. We
also must question whether or not Hayley is pathologically insane.
She's no Hayley Mills, that much is certain.
Both actors are absolutely outstanding. In fact, I cannot think
of any other young actress who could convincingly pull off the
frequently stilted dialogue penned by Screenwriter Brian Nelson.
(Here's a classic example of an adult male not knowing how to
write for a teenage girl). In any event, Ellen Page is both
brilliant and mesmerizing; we can expect to see much more of this
budding Canadian actress in the future.
So far, so good…
Unfortunately, the final act becomes so maddingly unbelievable
and disappointing it defies description, although it does answer
the question, “What is less satisfying than a fake
orgasm?”
In the case of HARD CANDY the answer is, “A fake
castration.”
Brian Nelson and Director David Slade inexplicably opt for a
POLLYANNA ending that might even gag Ms. Mills. In simplest terms,
these guys lost their cojones. Instead of an uncompromising,
unforgettable conclusion we get Little Red Riding Hood walking off
into the sunset. And what about Jeff? Well, he's left hanging; the
same is true for the audience.
If only Roman Polanski had directed…
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